Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
3:17 pm
Mon July 2, 2012

Copland's 'Lincoln Portrait': Honest Abe's Oratory, Tailored For Orchestra

Hulton Archive Getty Images

Originally published on Wed September 26, 2012 11:39 am

Brooklyn-born Aaron Copland was an American original in more ways than one. It's not just his music, with its openness and simple elegance. It's that he expected ballet dancers to act like cowboys, pianists to play blues and orchestra players to accompany political speechmaking. His Lincoln Portrait, composed during World War II, matches words from our 16th president with symphonic music.

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Deceptive Cadence
11:58 am
Fri June 29, 2012

Jonathan Biss Embraces Beethoven

Mito-Habe Evans NPR

Originally published on Tue September 18, 2012 3:26 pm

Every musician practices differently. Some turn their own living rooms into rehearsal spaces. Others, like pianist Jonathan Biss, prefer to step out of the comforts of home and into a studio. "It's a more productive way of working," Biss told us as we barged in with cameras and microphones.

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Deceptive Cadence
8:56 am
Wed June 27, 2012

New York Polyphony's Living Room Madrigal

Mito-Habe Evans NPR

Originally published on Tue September 18, 2012 3:41 pm

For New York Polyphony, it's location, location, location. The four-man vocal ensemble thrives on music from the Renaissance, much of it designed for cavernous, reverberant spaces. Think voices soaring through arched cathedrals. But madrigals by Flemish composer Orlando di Lasso, with their more intimate storytelling vibe, are suited for smaller venues — like, say, the living room of New York Polyphony bass Craig Phillips.

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Deceptive Cadence
7:05 am
Mon June 25, 2012

Jeremy Denk's Joyfully Mad Ligeti

Mito-Habe Evans NPR

Originally published on Tue September 18, 2012 3:41 pm

Armed with cameras and microphones, we recently invaded the rehearsal spaces of prominent musicians. The result is "In Practice," a new series of videos you can watch here.

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In Practice
8:19 am
Wed June 20, 2012

In Practice: New York Polyphony

New York Polyphony perform Renaissance songs for an In Practice recording session.
Mito Habe-Evans NPR

Originally published on Mon July 7, 2014 4:01 pm

The four-man vocal ensemble New York Polyphony sings ancient music built for big resonant spaces. Since they can't just pop into St. Patrick's Cathedral any time they need to practice a renaissance mass, the group rehearses sometimes in the Jackson Heights home of bass singer Craig Phillips. There, in a modest-sized living room, they can hear every detail. "It's a very different experience rehearsing in a dry room and a small room," says tenor Geoffrey Silver. "You actually hear what you and your colleagues are singing, there's no watercolor wash over what you are doing."

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