There's no separating Charlie Sheen from Charles Swan, the titular representation of the male id at its most self-obsessed in Roman Coppola's uneven A Glimpse Inside the Mind of Charles Swan III. But for better and decidedly worse, that's the point.
This past weekend, a surprising little movie topped the box office over pop-action juggernaut Hansel and Gretel: Witch Hunters and the Oscar-nominated Silver Linings Playbook.
Warm Bodies is a zombie romance brought to you by the man behind the recent cancer comedy 50/50; clearly, director and screenwriter Jonathan Levine has an interest in genre bending, and this latest flick is equal parts Night of the Living Dead and Romeo and Juliet. It's told through the eyes of R (Nicholas Hoult), a zombie living in an airport.
There's a sequence early in the laughable drama The Playroom that epitomizes everything wrong with it: With her parents out of the house, 16-year-old Maggie Cantwell (Olivia Harris), the eldest of four latchkey kids, sneaks into the garage with her boyfriend on a determined quest to lose her virginity. While the two fumble around clumsily on the floor, Maggie's youngest brother, Sam (Ian Veteto), sits outside the garage door, trying to sew a merit badge onto his shirt but struggling to thread the needle.
Originally published on Thu February 7, 2013 7:14 pm
In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.
"Don't believe everything you see," the older man warns.