Neil Jordan is best known as a filmmaker — he directed The Crying Game, Michael Collins, Interview with the Vampire and the Showtime series The Borgias — but he began his career as a writer. His first novel, The Past, was published in Ireland in 1980 to great acclaim.
The novel follows an enigmatic protagonist on his search for his family's secrets in a Cornish seaside town. Jordan joins NPR's Scott Simon to talk about The Past, which has been reissued in the United States by Soft Skull Press.
Back in the early 1990s, Melinda French was a rising star at a software company when the boss asked her out on a date. This was complicated because he was her boss, and frankly, he was kind of a nerd. But they fell in love and got married, and decided to raise a family, retire from the business, and in their spare time give away more money to charity than anyone else in the history of the world.
I was weaned on horror movies and love them inordinately, but the genre has gone to the dogs — and to the muscle-bound werewolves, hormonal vampires, flesh-eating zombies, machete-wielding psychos, etc. It's also depressing how most modern horror pictures have unhappy nihilist endings in which everyone dies and the demons pop back up, unvanquished — partly because studios think happy endings are too soft, but mostly because they need their monsters for so-called franchises.
Originally published on Fri January 18, 2013 10:44 am
Annalisa Quinn is a freelance writer for NPR Books.
Lance Armstrong, in the interview Thursday night with Oprah Winfrey in which he admitted to doping, understood the role that storytelling played in his fall: "You win the Tour de France seven times, you have a happy marriage, you have children. It's just this mythic, perfect story. And it wasn't true."