Street gangs, drugs and the Los Angeles Police Department have been ingredients in so many police thrillers that it's hard to imagine a filmmaker coming up with a fresh take — though that hasn't stopped writer-director David Ayer from trying. He's made four cops-'n'-cartels dramas since his Oscar-winning Training Day a decade ago; the latest, End of Watch, easily qualifies as the most resonant.
From teenagers strumming guitars in their bedrooms to big studio executives in Hollywood, there are a lot of people trying to figure out how to make money from online videos. The video-sharing site Vimeo has just added to their site a feature with a time-tested history in the real world — a virtual tip jar.
Electric-bass player Brian Compton has been a musician for 20 years. He plays with a three-piece band on a San Francisco street corner and hopes for tips from afternoon commuters. He estimates that less than 1 percent of passersby actually leave a tip.
Predictable but appealing, Trouble with the Curve is the latest of Clint Eastwood's odes to old-fashioned attitudes and virtues. That the star neither wrote nor directed the movie in no way prevents it from being another political address from a man who considers terseness one of a hero's greatest qualities.
The idea for 17 Girls, a woozy fever dream about a bunch of French provincial high-school girls who make a pact to get pregnant together, came from a similar, well-publicized 2008 event in Gloucester, Mass.
Originally published on Fri September 21, 2012 11:26 am
Late in How to Survive a Plague, a fair-minded, careful history of the AIDS-activist movement ACT UP, comes an affecting montage that bears witness to the triumph and the tragedy of the New York-based group's radical crusade — a push to get affordable treatment for a disease that, at its peak in the late 1980s, was killing millions worldwide.