The three protagonists of Bachelorette do some pretty terrible things: They talk trash behind a fourth friend's back, kvetching bitterly about having to be bridesmaids at her wedding. They publicly leak her old high school nickname, which happens to be "Pigface."
And just hours before the wedding, as the bride-to-be is getting her beauty sleep, two of them try to cram into her wedding gown as a gag — she's a plus-sized cupcake of a woman — and rip it seemingly beyond repair.
The centerpiece of For Ellen is the long-postponed meeting between a rock-band singer, Joby Taylor, and the 6-year-old daughter whose name is in the title. But writer-director So Yong Kim's wintry character study is primarily a solo act, punctuated by the occasional duet.
Originally published on Thu September 6, 2012 4:50 pm
Fred Schepisi knows how to make the kinds of movies almost no one makes anymore. The tragedy is that they don't make audiences like they used to — and Schepisi's latest, The Eye of the Storm, will feel to many viewers like a movie lost in time and space.
That's no reflection on its craftsmanship, which is superb, or on its performances, which are sterling. But this multigenerational character study, based on a novel by Patrick White, requires a little patience: Its rhythms are slack in places, and its pace is definitely leisurely.
Film adaptations of TV shows long off the air have proven hit-or-miss at the box office. But in recent years, the practice of continuing the story of a popular, recently concluded TV series in a feature film has made for easier business — even when the results are mixed creatively. There's a lot to get wrong in translating a successful series, and therefore a lot to consider: How much of an introduction will a wide audience need to a show's world and characters?
Hot-weather Hollywood blockbusters have now cooled off, so the cineplex will be a quieter place for the next few months. But there can be intensity even in intimate films, as evidenced by the relationship drama Keep the Lights On.