Gabrielle de Polignac (Virginie Ledoyen, left) is the close, possibly intimate, friend of Marie Antoinette (Diane Kruger) — and the two are the bane of the approaching revolutionaries in <em>Farewell, My Queen</em>.
Credit Carole Bethuel / Cohen Media Group
Lea Seydoux stars as Sidonie Laborde, Marie Antoinette's reader, a job that entails entertaining the queen with novels and plays.
In 1995's A Single Girl, probably his best known film in the U.S., Benoit Jacquot tracks a young chambermaid through one workday as she ponders a big decision. The French writer-director's smart and ultimately wrenching Farewell, My Queen takes a similar course — only this time the protagonist toils for Queen Marie Antoinette, and the story opens on July 14, 1789.
"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.
Trishna (Freida Pinto) is the titular character in Michael Winterbottom's adaptation of <em>Tess of the D'Urbervilles,</em> which lends the novel's deteriorating romance a feeling of inevitability.
Credit Marcel Zyskind / IFC Films
Jay (Riz Ahmed) meets Trishna while sightseeing in her village and persuades her to move with him to Mumbai. A composite character created by Winterbottom, he's drawn from the two opposing love interests in Thomas Hardy's novel.
"Do you think you'll have to pay a high price for your mistakes?"
That line is spoken on an Indian game show watched by Trishna, the title character of Michael Winterbottom's subcontinental rethink of Thomas Hardy's Tess of the D'Urbervilles.
The penalties for mistakes on the game show are only monetary in nature, of course. For Trishna, the costs of her errors in judgment are measured on an entirely different scale. This being a Hardy story, you can count on this: They'll be high, and they'll be unpleasant.
Mont Blanc (Aris Servetalis) leads a group of people who offer a peculiar service: the replacement of departed loved ones. Imitating hairstyle and favorite quotes is normal, though some in his group go so far as to re-enact more private events.
Credit Kino Lorber
Monte Rosa (Aggeliki Papoulia) begins doing substitute work outside of the group, using her job to search for her own authentic relationship.
Alps, the tightly controlled burn from Dogtooth director Giorgos Lanthimos, begins with a simple image: a girl twirling a ribbon. Practicing her routine in a large gym, the rhythmic gymnast (Ariane Labed) moves powerfully, spinning and tumbling across the mats in choreography set to "O Fortuna." She finishes, but as she complains to her coach, a middle-aged track-suit-wearing type (Johnny Vekris), the routine just isn't working — she'd rather be doing a pop song. She's ready for pop, she insists.