Romance fiction is the Rodney Dangerfield of the publishing world: It don't get no respect.
This, despite the fact that romance is the most consistently profitable genre in an unsettlingly shaky business. Last year, romance alone contributed more than $1 billion to publishing's diminished coffers. And a growing amount of that income comes from romances written by ethnic writers for ethnic readers.
Originally published on Tue August 21, 2012 10:58 am
It was day 12 of our trip through Spain and Portugal, and my friend and I were ready for some traditional Portuguese cooking when we arrived in the quaint, cobblestoned city of Lisbon.
Walking along the tiered and winding roads, the Atlantic Ocean horizon would greet us and then disappear again behind the hilltops. Above, clothes hung out to dry along white, curved iron balconies, a rainbow of clips holding the waving pants or undergarments in place.
Actress Julie Delpy first beguiled American audiences in 1995, playing the enigmatic French student in Richard Linklater's film Before Sunrise. Ever since, Delpy has enjoyed life on the Hollywood fringe, preferring indie projects where she can help shape her roles.
She co-wrote the Oscar-nominated script to Linklater's sequel, Before Sunset, and has also begun directing her own projects. For her latest, 2 Days in New York, she directed, produced and helped write the script.
Science journalist Michael Lemonick doesn't want to be a doomsday prophet, but he does want to be realistic about the threat of climate change. "Since I started writing about climate change all the way back in 1987, we've known what the cause is, we've known what the likely outcome is, and we've had time to act — and essentially we haven't acted," he tells Fresh Air's Dave Davies.