The weekend brings some higher-profile screenings, and my schedule on Saturday and Sunday reflects that. If some of the Thursday/Friday films were an opportunity to see what you may never hear about again, some of the Saturday/Sunday films are a chance to get a jump on the next four or five months of chatter.
Diana Nyad's successful swim from Cuba to Key West on Monday was made all the sweeter because she had tried — and failed — four times before.
She learned you should "never, ever give up," but she also learned some practical lessons to help beat the elements in those earlier attempts. Out of failure, she innovated. And out of innovation, she succeeded.
If we didn't experience Hurricane Katrina ourselves, we saw it: the ominous red pinwheel on the radar, the wrecked Superdome, the corpses. And certainly we saw our shame — America's inequality, negligence and violence were all laid bare by the storm.
But one tragedy went largely unwitnessed. And this is the subject of Sheri Fink's provocative new book, Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital. The Pulitzer Prize-winning writer examines what happens when people make life-and-death decisions in a state of anarchy.
This is WEEKEND EDITION from NPR News. I'm Rachel Martin.
In the late 1980s and early '90s, success in the competitive world of late-night television sounded like this.
(SOUNDBITE OF CHEERING AND DOG POUND NOISE)
MARTIN: That, of course, was the signature shout out from "The Arsenio Hall Show." Arsenio interviewed everyone from Muhammad Ali to Madonna and, of course, there was that seminal pop culture moment when then-presidential candidate Bill Clinton played the sax on the Arsenio stage.
On the surface, Norman Rush's new novel is about a middle-aged man, Ned, who reunites with a group of college friends after one member of the group dies unexpectedly. But what transpires over the next few days ahead of the memorial service is less about Ned's relationship with these men and the heady, self-absorbed days of yore, and more about how Ned sees himself.