Originally published on Fri October 19, 2012 11:17 am
A vigilante with the heart of a social worker, the protagonist of Alex Cross wants to nurture and uplift — but also to make the sort of moves that delight a multiplex crowd.
Cote's placid pacing invites consideration of the monotony and simplicity that marks the lives of both the animals and the humans in the park.
Credit KimStim Inc.
Bestiaire considers the nature of observation by focusing on zoo animals at Quebec's Parc Safari — where they are almost continuously the object of the human gaze.
Credit KimStim Inc.
Director Denis Cote considers the park's human occupants — keepers and patrons alike — with the same cool reserve, highlighting the repetitiveness of their routines.
Originally published on Thu October 18, 2012 4:25 pm
It's tempting to call Denis Cote's Bestiaire "contemplative." Its unscored 72 minutes of footage — of animals, caretakers and patrons at Quebec's Parc Safari — certainly leave a lot of room for thought.
Mark (John Hawkes), a disabled man who has spent most of his life in an iron lung, decides to lose his virginity to a sex surrogate, Cheryl (Helen Hunt).
Credit Fox Searchlight
Father Brendan (William H. Macy) talks Mark through the ethical and religious questions posed by his arrangement.
Disability biopics, especially the kind that bring audiences to their feet at Sundance, rarely have anywhere to carry us but on a linear journey from pity via empathy to tearful uplift.
The road to hell is paved not just with good intentions, but with movies that attempt to capture the way women really talk. Bodacious confessions about illicit nights spent in all manner of threesomes; loud coffee-shop discussions about yeast infections; repeated fretting about that possible Mr. Right who, for some reason, just hasn't gotten around to calling — all of these things figure heavily in the generally preposterous girl talk that makes up That's What She Said. Elvis Costello sure had it right: There are some things you can't cover up with lipstick and powder.
Tina Brown, editor-in-chief of Newsweek, announced Thursday that the 80-year-old newsmagazine will publish its final print edition on Dec. 31 and shift to an all-digital format in early 2013.
Newsweek editor Tina Brown announced Thursday she would embrace a fully digital future as she revealed that the magazine's final print edition would be published at the end of the year.
Her announcement was a bow to gravity, as her unique blend of buzz and brio proved incapable of counteracting Newsweek's plummeting circulation and advertising amid an accelerating news cycle. Brown said there would be an unspecified number of layoffs as well.