Forty years after his death, there's a name that's become practically synonymous with Chinese kung fu films.
And no, it's not Bruce Lee.
It's actually his teacher, Ip Man.
The late kung fu master's life story has inspired more movie releases than Spider-Man. The five films so far include Hong Kong director Wong Kar Wai's The Grandmaster, which opens Friday in New York and Los Angeles.
Originally published on Fri August 23, 2013 2:07 pm
"She's so pretty, she could be in any movie," a fan gushed after a screening of Joe Swanberg's Drinking Buddies. There's a lot more to Olivia Wilde than her feline loveliness, which, combined with a challenging stare that dares you to dismiss her as fluff, reminds me of a young Michelle Pfeiffer. But not much of that is allowed out to play in this strained comic drama about two young couples struggling to answer universal questions in particular ways.
A group foster home + abused and at-risk kids + tough love + junior staff nearly as troubled as their charges: The potential for cliche is everywhere in Destin Cretton's enormously engaging Short Term 12, and — happily — is everywhere avoided. What might seem on paper a cloyingly sentimental heartwarmer becomes, in Cretton's hands, a briskly believable, often funny, always invigorating and ultimately wrenching story of emotional fortitude.
The difference between a provocative film and a challenging one can be difficult to parse. Yet it's essential to understanding the success and occasional missteps of Ulrich Seidl's Paradise: Faith, the second part in a trilogy that, so far, has excelled at exploring the depths of human misery.
When Raymond Chandler first set Philip Marlowe walking down the mean streets of L.A., he couldn't have imagined that eventually every city, from ancient Athens to 21st century Bangkok, would have its own detective series. Of course, they're not all equally good.