Plot lines adorn the walls of 221B Baker Street, a Sherlock Holmes-themed coffee shop in Shanghai.
Credit Frank Langfitt / NPR
Parts of 221B Baker Street have a shrine-like quality and feature photos of Benedict Cumberbatch, the handsome British actor who plays Holmes on the BBC series <em>Sherlock</em>. Ninety-percent of the customers are women.
What do an eccentric British detective, a cut-throat Washington pol and a bunch of nerds at Caltech have in common?
They are characters in some of the most popular foreign TV shows in China.
Over the past five years, The Big Bang Theory alone has been streamed more than 1.3 billion times. To appreciate how much some young Chinese love the BBC series, Sherlock, step inside 221B Baker Street. That's Holmes' fictitious address in London as well as the name of a café that opened last year in Shanghai's former French Concession.
Boy, Snow, Bird reimagines the traditional Snow White fairy tale. Helen Oyeyemi's new novel explores beauty, envy and identity in New England in the 1950s — race and skin color shape the characters' experiences.
The wicked stepmother in this story is named Boy; the fair beauty is Snow. The birth of Snow's half-sister, Bird, reveals a long-buried family secret. Throughout the book, characters are haunted by a sense that things are not as they appear in their relationships and in the outside world.
Originally published on Tue March 11, 2014 12:53 pm
Italy has more UNESCO world heritage sites than any other country in the world, and its art and cultural riches have drawn visitors for centuries.
It also prides itself on being a culinary mecca, where preparing, cooking and serving meals is a fine, even sacred, art. And now that the country is in the deepest and most protracted recession since World War II, why not cash in on its reputation as a paradise for visiting gourmets and gourmands?
After the Rockefeller Center mural was destroyed in 1934, Diego Rivera recreated this version, named Man, Controller of the Universe, which is on display at the Palacio de Bellas Artes in Mexico City. The story of the original mural's creation and destruction is the focus of a Mexican Cultural Institute exhibition in Washington, D.C.
Credit Courtesy of Museo Frida Kahlo
Artist Diego Rivera stands with a copy of the mural he painted at Rockefeller Center that was eventually destroyed.
Credit A. Estrada / Courtesy of Museo Frida Kalho
An early sketch of the mural shows how it differed from what Diego Rivera painted in Rockefeller Center.
When Mexican artist Diego Rivera was commissioned in 1932 to do a mural in the middle of Manhattan's Rockefeller Center, some might have wondered whether industrialist tycoon John D. Rockefeller Jr. knew what he was getting into.
In 1934, the legendary artist's work was chiseled off the wall.
Now, in Washington, D.C., the Mexican Cultural Institute has mounted a show that tells what happened to Rivera's mural.