Originally published on Thu December 19, 2013 6:08 pm
In Oscar Wilde's fairy tale The Selfish Giant, the title character brings eternal winter to his garden by banishing children from it. Writer-director Clio Barnard's film of the same name was inspired by Wilde's fable, yet is much different.
The original story was for kids; the movie is about kids, but its grim depictions of violence against innocents may be too harrowing even for some adults. Yet the movie is engrossing, and sure to linger long after its poignant culmination.
Iranian filmmaker Asghar Farhadi came to international attention last year when his film A Separation won the Oscar for best foreign language film. His latest picture, The Past, has been showered with awards, too — at the Cannes Film Festival and from critics groups in the U.S. I saw The Past in September at the Toronto Film Festival, and it has haunted me ever since.
In a high-school locker room in small-town Indiana, a coach is tearing into his basketball team. The Medora Hornets have scored zero points — none at all — in the game's fourth quarter.
In Medora, the hapless team becomes a kind of metaphor for the town itself — "a no-stoplight town," in the words of documentarian Davy Rothbart, one where the jobs have dried up and the population has dwindled.
Way back in the 2004 film Anchorman, Ron Burgundy was a local TV-news host in '70s San Diego. Fast-forward to this year's sequel, and that epic haircut is national news: Set in 1980, Anchorman 2 follows Will Ferrell's vain, shallow character as he graduates to a CNN-style cable news network.