The French novelist Marcel Proust immortalized the connection between food and memory when the narrator of his novel Remembrances of Things Past bit into a madeleine and was transported to thoughts of his childhood.
But what if that madeleine were poisoned, so to speak?
That is the question underlying Russian American writer Anya von Bremzen's new memoir, Mastering the Art of Soviet Cooking. Though it contains recipes, this is not a cookbook but rather, a history of a family and of Soviet Russia.
These were the words uttered by painter Jean-Michel Basquiat, who was deeply shaken after he heard the story of a black graffiti artist who was beaten to death by New York City police. Seeing his own life reflected in the death of a fellow artist, Basquiat went on to create Defacement (The Death of Michael Stewart),not only to commemorate the young man's death, but also to challenge the state-sanctioned brutality that men of color could face for pursuing their art in public spaces.
You may be hearing a lot about the National Book Awards this week — at least that's what the National Book Foundation hopes. That's because they've made some changes to the awards that they hope will get more people talking about them. Over four days starting Monday, they will roll out their nominees in four different categories — beginning with Young People's Literature and ending Thursday with Fiction.
There was a time when Debora Spar was used to being the only woman in the room. As a professor at Harvard Business School, she was surrounded by what she describes as "alpha men of the academic sort — men with big egos and big attitudes and an awful lot of testosterone."
Then, in 2008, she found herself in the opposite situation: She became the president of Barnard College, the women's college affiliated with Columbia University, where "there was barely a male in sight."
Ten years ago, literary scholar Carla Kaplan released an acclaimed edition of the letters of Zora Neale Hurston. In the course of researching Hurston's life, Kaplan became curious about the white women who were in Harlem in the same period as Hurston, women who risked family exile and social ostracism to be part of the artistic and political movements of the Harlem Renaissance. Now, Kaplan has published a cultural history of those women called Miss Anne in Harlem: The White Women of the Black Renaissance.