The new police drama End of Watch puts two beat cops in the middle of escalating danger when a violent drug cartel begins operating in a South L.A. neighborhood.
The cops are patrol partners played by actors Michael Peña and Jake Gyllenhaal. The characters' cop-car friendship is one that extends beyond their jobs. The nature of their work makes them more like brothers, something director David Ayer pushed to bring alive on the screen.
By the time Glenn Beck left the Fox News Channel in June 2011, both sides seemed ready, even eager, to part ways. Beck announced he would move on to bigger and grander ventures with his own production company, Mercury Radio Arts, but some media critics, such as Variety's Brian Lowry, shrugged then and since.
Street gangs, drugs and the Los Angeles Police Department have been ingredients in so many police thrillers that it's hard to imagine a filmmaker coming up with a fresh take — though that hasn't stopped writer-director David Ayer from trying. He's made four cops-'n'-cartels dramas since his Oscar-winning Training Day a decade ago; the latest, End of Watch, easily qualifies as the most resonant.
Originally published on Fri September 21, 2012 1:15 am
Cop dramas may be a dime a dozen, but David Ayer's End of Watch is one of a kind: The picture is by turns clever, compelling and unconscionable, so artful in its artifice that sometimes it almost fools you into believing that it's reality.
From teenagers strumming guitars in their bedrooms to big studio executives in Hollywood, there are a lot of people trying to figure out how to make money from online videos. The video-sharing site Vimeo has just added to their site a feature with a time-tested history in the real world — a virtual tip jar.
Electric-bass player Brian Compton has been a musician for 20 years. He plays with a three-piece band on a San Francisco street corner and hopes for tips from afternoon commuters. He estimates that less than 1 percent of passersby actually leave a tip.