If you've ever visited the Statue of Liberty, she's no doubt loomed large above you, but gaze at the statue's pedestal and you'll find Emma Lazarus' poem "The New Colossus." Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest tossed to me. I lift my lamp beside the golden door.
It's ALL THINGS CONSIDERED from NPR News. I'm Audie Cornish.
My colleague, Robert Siegel, is off today for the holiday. But, we're going to return with him now to a thrilling day of yesteryear. Yesteryear being five years ago. That's right it's a shameless re-run. And our excuse is the new "Lone Ranger" movie, which has opened to mixed reviews. The old TV show, which aired in the 1950s, was a favorite of Robert's when he was a boy. So, for our 2008 series, In Character, Robert marked "The Lone Ranger's" 75th anniversary.
If you haven't heard the buzz — or maybe it's the fizz — handmade sodas have been experiencing a full-on revival over the past few years. Whether they're mixed at home with a Soda Stream-like device or made at an old-fashioned soda fountain, the rise of homemade sodas has been driven by a general shift toward less-processed foods.
Cathleen Schine can always be counted on for an enticing, smart read, and her latest novel, Fin & Lady, is no exception, but it's an odd duck, as quirky as its peculiarly named titular half-siblings. Neither as sparklingly funny as her most recent book, The Three Weissmanns of Westport, nor as brainy as her earlier Rameau's Niece, Fin & Lady is light, entertaining, and ultimately moving, butyou can't help wondering what Schine hoped to achieve with it.
Dash Shaw is a graphic novelist and animator whose previous books, including Bottomless Belly Button and Bodyworld, seethe with dark, mischievous intent. He sets out to unsettle, using the unique tools the comics medium provides to expose discomfiting truths about relationships both familial and romantic. A proud experimentalist, Shaw often shuns tidy narrative conventions in favor of raw emotion.