It's impossible to open the newspaper or turn on the TV these days without seeing some outrageous example of new Asian money. From a castle modeled on Versailles in Changsha to billion-dollar penthouses in Bombay to the Marina Bay Sands casino in Singapore, with its seven celebrity-chef restaurants, the inescapable truth looms before us: We Asians are not just rich but also, frankly, somewhat crazy.
In the wake of the dome's mysterious appearance, the townspeople are cut off from access to TV, phones and the Internet, and must make do with the people and objects they have at their disposal.
<strong>You Shall Not Pass:</strong> The CBS series <em>Under the Dome </em>tracks the dramas that unfold when an invisible dome isolates the residents of a New England hamlet. (Natalie Martinez and Josh Carter play a couple separated by the sudden development.) Based on a Stephen King novel, the show is the first on-screen collaboration between King and Steven Spielberg.
Britt Robertson plays Angie McAlister, a medical center volunteer who longs to escape the town and become a full-fledged nurse.
You might expect big action from a movie about the hijacking of a cargo ship by Somali pirates. But after a preliminary flurry of roughing-up, the Danish drama A Hijacking is mostly about the excruciating process of getting to "yes" when language is the least of the barriers between two very different mindsets.
Over the past several weeks, we checked in with our colleagues and friends in a series of conversations called "Looking Ahead," today, poet Nikky Finney. Two years ago, she riveted the audience as she accepted a National Book Award for her poetry collection "Head Off & Split."
Ever so quietly this week, the national arts scene became a bit more fragmented, a bit more stratified and a lot more invisible. The Associated Press has just spiked a chunk of its opera, dance and off-Broadway coverage. And in this case, no news is bad news.
In an email, AP chief theater writer Mark Kennedy described the decision to me: