In July, NPR's Backseat Book Club traveled to Hanging Moss, Miss., where Gloriana June Hemphill, better known as Glory, is just an ordinary little girl. But this is no ordinary summer — it's 1964 and the town has shut down the so-called "community" swimming pool to avoid integration.
Is it the summer of Shakespearean comedy? You might not guess it from the box-office grosses, but with the release of Joss Whedon's delightful Much Ado About Nothingand now Matias Piñeiro's wondrous Viola, the spirit, if not the strict content, of Shakespeare's less bloody-mindedplays is sneaking into theaters, offering an invaluable lesson to other films in how to be lighthearted without being empty-headed.
Two decades ago, when stupid Hollywood comedies were relatively smart, they lampooned their own sequelitis with titles like Hot Shots! Part Deux. The genre has become less knowing since then, so the follow-up to 2010's Grown Ups is named simply Grown Ups 2.
Grown Ups Minus 2 would be more apt.
Like its predecessor, this is a vehicle for Adam Sandler, his pals and whatever they think they can get away with. That means some creepy sexual insinuations, if not so many as the first time.
Fruitvale Station, on the Oakland side of the San Francisco Bay: Grainy cellphone video from a day, four years ago, that commanded the nation's attention. Several young black men sit on a transit station platform, white transit police officers standing over them. There's shouting, scuffling, but nothing that looks worrisome.
Lukas works in a Danish kindergarten, and it's clear he's in the right place: When the kids look at him, they see a great big toy.
That's especially true for 5-year-old Klara, the lonely daughter of Lukas' best friend, Theo. Klara's folks fight a lot, and her teenage brother is too busy looking at dirty pictures with his buddies to pay her much attention.