At a hearing in Washington on March 6, Attorney General Eric Holder admitted to senators why it has been hard to go after big bank executives:
"It does become difficult for us to prosecute them when we are hit with indications that if you do prosecute, if you do bring a criminal charge, it will have a negative impact on the national economy, perhaps even the world economy. And I think that is a function of the fact that some of these institutions have become too large."
People of all ages have been passing the time playing Angry Birds on their mobile devices. Now Rovio, the company that created the best-selling app, is offering fans a new cartoon series based on the game, which has so far been downloaded 1.7 billion times.
The concept behind Angry Birds is extremely simple: There are these colorful cartoon birds that are angry because some green pigs are after their eggs. Players of the digital game use slingshots to catapult the birds — who don't fly — to destroy structures hiding the pigs.
Two young actresses with substantial Hollywood pedigrees have the title roles in the new film Ginger & Rosa. Ginger is played by Dakota Fanning's sister, Elle, who at 14 already has more than 30 movie credits. Rosa is played by Alice Englert, daughter of Oscar-winning writer-director Jane Campion and star of last month's Beautiful Creatures. Both actresses get a chance to stretch in Ginger & Rosa.
Originally published on Fri March 15, 2013 9:43 am
In the buildup to the climax of Brad Anderson's The Call, a character discovers what the film's villain has been doing with all the teenage girls he's been kidnapping and killing. It's a grisly revelation, and it's played for shock value — both for the audience and for the character making the discovery.
There's only one problem: Early in the film, the body of one of these girls is recovered. So the details of the killer's M.O. shouldn't come as any shock whatsoever to the character that discovers his lair.
There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.
The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.