Gretta Harley arrived in Seattle in 1990, when grunge was redefining the city. Bands like Nirvana, Pearl Jam and Soundgarden were turning Seattle into the epicenter of the music world. Harley was a punk rock guitarist searching for her tribe, and in Seattle's thriving music scene, she found it.
Has there ever been an age that was so grudging about suspending its disbelief? The groundlings at the Globe Theatre didn't giggle when Shakespeare had a clock chime in Julius Caesar. The Victorians didn't take Dickens to task for having the characters in ATale of Two Cities ride the Dover mail coach 10 years before it was established. But Shakespeare and Dickens weren't writing in the age of the Internet, when every historical detail is scrutinized for chronological correctness, and when no "Gotcha!" remains unposted for long.
Originally published on Tue February 26, 2013 6:37 pm
In a business where effects-laden movies helped Hollywood make a record-setting $10.8 billion last year, many of the studios that create those effects are barely staying afloat.
Visual effects have been a part of the movie industry ever since Georges Melies went on his famous Trip to the Moon in 1902. These days, VFX studios do everything from putting a tiger in a lifeboat on an ocean voyage to choreographing the destruction of a New York City being defended by Earth's mightiest heroes.
It was no less than the master of dystopian fiction, George Orwell, who noted in a 1946 essay that "political language has to consist largely of euphemism. ... Defenseless villages are bombarded from the air ...