Laurence Anyways begins with several close-ups of strangers pinning the passing camera with looks of surprise, disdain or suspicion. The person under examination is the eponymous Laurence (Melvil Poupaud), a noted novelist who at the story's outset is about to embark upon a new life as a woman. Later, after the film has flashed back to show us her whole transition, comes an interviewer's question: "Do looks matter to you?"
During his 20-year career, Jem Cohen has shown his films in museum auditoriums more often than in commercial theaters. So it's fitting that Museum Hours, the arty documentarian's latest feature-length effort, is so indebted to Vienna's Kunsthistorisches Museum. Cohen likes to happen upon stories and images, and the 19th-century Austrian culture palace is brimming with both.
I'm So Excited! a less-than-exciting new romp from the great Pedro Almodovar, dusts off one of the hoariest plot tricks in the farceur's playbook: Trap a bunch of upstanding citizens in a confined space with no exit, and watch their ids — along with their secrets and lies — come out to play.