Artist Jackie Sumell set out to build a dream home for bank robber Herman Wallace, whose additional conviction for killing a prison guard is the subject of a long-running dispute.
Credit First Run Features
A 3-D rendering of Wallace's dream house; Sumell's juxtaposition of the house and Wallace's 6-by-8 prison cell is a statement on the severity of solitary confinement in Louisiana's notorious state penitentiary.
The off-screen protagonist of Herman's House, Herman Wallace, already has a dwelling for his body: a 6-foot-by-8-foot cell at the Louisiana State Penitentiary, aka Angola. But the documentary's on-screen protagonist, Jackie Sumell, wants him also to have a place for his soul: a dream house for a man who desperately needs dreams.
This is the third in a three-part series aboutthe intersection of education and the arts.
Life Pieces to Masterpieces is an arts program that's not entirely about the art. It's an after-school program based in a struggling neighborhood in Washington, D.C., that teaches black boys and young men what they call "the four C's": "Connect, create, contribute, celebrate." From ages 3-25, they learn to express themselves by conceiving their paintings together. And those paintings will often reflect what's going on in their lives.
Richard Linklater's <em>Before Midnight</em> is one of many high-profile films set to be shown at this week's Tribeca Film Festival in New York City. (Pictured: Ethan Hawke as Jesse and Julie Delpy as Celine)
Credit Sony Pictures Classics
The National, subject of the documentary film <em>Mistaken For Strangers,</em> performed at the April 17 opening-night party for the 12th annual Tribeca Film Festival.
Credit Bryan Bedder / Getty Images for American Expres
Originally published on Thu April 18, 2013 12:33 pm
This week, the Tribeca Film Festival kicks off its 12th year. With a shorter history than Sundance or Cannes — the two major festivals that flank it on the calendar — Tribeca has grown in fits and starts since its 2002 launch as an effort to revitalize Lower Manhattan in the aftermath of the Sept. 11 attacks.
Today, Tribeca has carved out an identity as an international festival supporting both established and first-time filmmakers — and, not coincidentally, showcasing New York as a filmmaking hub.
I'm Michel Martin and this is TELL ME MORE from NPR News. Now we want to tell you about a remarkable film, one that the renowned director Ingmar Bergman called extraordinary. But it's a film that most people have never seen because, for decades, it was believed to have been lost.
War photographer Tim Hetherington said he thought war was wired into young men. And he risked, and ultimately gave, his life to capture these young men in photographs and video — in Liberia, Sierra Leone, Afghanistan and other war zones. Hetherington was killed by shrapnel from a mortar round while taking pictures in Libya in 2011, during the uprising against President Moammar Gadhafi.