If you want to tell a story, the professional tale-spinners say, make something happen.
That's true, but a happening can be defined as elastically as the teller needs it to be. Sometimes it's a shift in a character's inner landscape — a change in her responses to the common hurts and losses that she's lugged around from childhood — that moves us more than a third-act gunshot ever could.
Crisp in execution and classic in ambiance, The Company You Keep is star Robert Redford's most persuasive directorial work since 1994's Quiz Show. It's a pleasure to watch, even if the payoff is rather less substantial than the backstory.
Franck (Vincent Cassel), Simon (James McAvoy) and Elizabeth (Rosario Dawson) are uneasy allies trying to discover exactly what went wrong during a botched art heist in Danny Boyle's trippy thriller <em>Trance.</em>
Credit Fox Searchlight Pictures
Dawson's Elizabeth is a hypotherapist trying to help the amnesiac Simon remember what happened to the Goya he was helping to steal.
In 1981, avant-garde theater director Andre Gregory collaborated with his friend Wallace Shawn and French filmmaker Louis Malle on an oddball project they called My Dinner with Andre.
Now enshrined as a classic — and one of the most-lampooned films in the history of American cinema — the movie is a talky two-hander in which Gregory (or someone very like him) gassed away about his globe-trotting adventures in spiritual enlightenment, while Shawn (or someone very like him) listened in disbelief, then grew entranced.
In theory, it's romantic to watch young couples struggling. We're used to seeing 'em in movies from the '30s, '40s and onward: He makes only enough money to put beans, not steak, on the table. She stretches the meager dollars he brings home by whipping up cheerful curtains patched together from fabric scraps. They may be poor, but they have love on their side, and if they work together, a comfortable and happy life — including the babies that will eventually come — will be theirs.