If there was a recipe for the best-selling writer Rick Riordan, it would go something like this — start with a love of storytelling, fold in more than a decade of teaching middle school English, combine that with two sons of his own who don't quite share their dad's love of literature, and marinate all of that with a deep passion for mythology.
Riordan has sold tens of millions of kids' books. He hit pay dirt with the Percy Jackson series — it's about an everyday kid who has superhero powers because he's the secret son of Poseidon, the Greek god of the sea.
In some ways, the film Not Fade Away is an extension of the friendship between the film's writer and director, David Chase, and its executive producer and musical supervisor, Steven Van Zandt.
Chase, the creator of The Sopranos, first encountered Van Zandt on TV, when Van Zandt introduced the Rascals to the Rock 'n' Roll Hall of Fame. Chase soon cast Van Zandt as Silvio Dante on The Sopranos, and the two became close, bonding in particular over their love of pop music from the 1960s.
Originally published on Wed December 19, 2012 9:56 am
Mean girls and their ingenious female creators top my mysteries and thrillers list this year. Maybe it takes the special discernment of a female writer (who's presumably suffered through the "Queen Bee and Wannabee" cliques of middle school) to really capture the cruel mental machinations that can hide behind a pair of shining eyes and a lip-glossed smile.
Adam Mansbach is the author of the forthcoming novel Rage is Back.
Stealing my 9-year-old nephew's copy of The Pushcart War by Jean Merrill was the best thing I did last summer. I was his age the first time I read it, and twice his age the last time I went back to it. I'm twice that old again now, but as soon as I dove into this intimate, majestic tale of war writ small — of a battle between the pushcart peddlers and the truckers of New York City — I realized how timeless, and how deeply a part of me, the story was.
Kathryn Bigelow became the first woman to take home the Oscar for best director for her film The Hurt Locker in 2010. Mark Boal walked away with a statue for writing the film, and the duo shared the honor of taking home the award for best picture later that evening.