They used to call it the "vanity press," and the phrase itself spoke volumes. Self-published authors were considered not good enough to get a real publishing contract. They had to pay to see their book in print. But with the advent of e-books, self-publishing has exploded, and a handful of writers have had huge best-sellers.
Kathryn Bigelow became the first woman to take home the Oscar for best director for her film The Hurt Locker in 2010. Mark Boal walked away with a statue for writing the film, and the duo shared the honor of taking home the award for best picture later that evening.
Originally published on Wed December 19, 2012 10:39 am
My family's holiday traditions are simple but consistent: Wake up Christmas morning, drink lots of coffee, eat a good breakfast, and wish each other happy happy. If the weather is nice, we postpone the present opening and pile into the car to head directly to the beach for a walk — a sunny December day along the Northern California coast is something to celebrate. Later, we cook a delicious dinner and sit around the table with a fire glowing in the fireplace nearby.
CIA operative Joseph Bradley (Kyle Chandler) discusses a sensitive operation with Dan (Jason Clarke).
Credit Jonathan Olley / Sony Pictures
Stationed at a covert base overseas, Maya (Jessica Chastain) is a member of the elite team of spies and military operatives (Christopher Stanley, left, and Alex Corbet Burcher, right) who devote themselves to finding Osama bin Laden.
With the screen pitch-black at the start of Zero Dark Thirty, we hear the confusion and alarm of Sept. 11, 2001: News reports that a plane has hit the World Trade Center, then the voices of a 911 operator reassuring a frightened trade center worker that she'll be OK, though she won't.
When the screen finally brightens, it's for a grim "black site" interrogation half a world away — a nephew of Osama bin Laden (Reda Kateb) strung up from the ceiling, bruised and bloodied, finally cut down only so that he can be waterboarded and stuffed into a tiny crate.
Originally published on Wed December 19, 2012 10:22 am
We know from the outset that there's a death coming in Michael Haneke's Amour, a magisterial study of mortality that carried off the Palme d'Or at this year's Cannes Film Festival — and currently tops best-picture lists all over the world. But when we first meet Anne (Emmanuelle Riva) and Georges (Jean-Louis Trintignant), retired Paris music teachers in their 80s, they're in the pink and enjoying a piano recital given by one of Anne's former pupils.