Borrow from Stephen King a house with a wormhole that somehow allows for time travel, re-create the monstrous chilliness of scenes between a serial killer and his female victims in The Silence of the Lambs, and you could easily end up with a pretty derivative thriller. But talented Cape Town writer Lauren Beukes has managed to turn such borrowing and theft into a triumph in her new novel, The Shining Girls. It's her third book, and a marvelous narrative feat that spans the history of Chicago from the 1930s to the 1990s.
Parents steer their kids to media for all kinds of things: as a distraction so they can make dinner, to teach letters and numbers, and for pure entertainment. There are also times when parents rely on books, TV, museums and other media when they aren't quite sure how to approach a difficult topic by themselves.
So far, the summer's end-of-the-world movies (After Earth, Oblivion) have mostly been provoking unintended yuks, so it's kind of a relief that this week's offerings include one that actually means to be funny.
That This Is the End actually is funny — well, that's even better, especially as it's playing cleverly enough with form to keep your brain occupied, too.
It opens with actor Seth Rogen waiting at the L.A. airport for his comedian buddy Jay Baruchel. And the first thing you hear is a passerby saying "Hey Seth Rogen, what up?"
The documentary 20 Feet From Stardom, which explores the world of rock 'n' roll's backup singers, opens to the soundtrack of Lou Reed's "Walk on the Wild Side." Reed sings half the refrain — "And the colored girls go, doo do doo do doo" — until a chorus of backup singers pick up the "Do doo" line. At first these women sound far away, but as the chorus progresses, their voices get louder, less produced and polished, more real and intimate.