Time now for a home-viewing recommendation from NPR movie critic Bob Mondello. A quiet recommendation — because Bob is touting the Ultimate Buster Keaton Collection, a 14-disc set of classic silent comedies.
Silent film had three great clowns. Charlie Chaplin's Little Tramp is the one everyone remembers; all-American daredevil Harold Lloyd is the one who made the most money; and Buster Keaton was the genius.
The Gatekeepers is an Israeli documentary based on long interviews with the six surviving heads of the Shin Bet — that's Israel's domestic security service. These six "gatekeepers" were in charge for more than 30 years.
Chris (Vinny Curran) resists his friend Mike's (Peter Cilella) attempts to save him from drug addiction in the indie horror film <em>Resolution</em>. As unsettling intrusions into their rundown rural abode mount, however, they both might need a different kind of rescue.
Credit Tribeca Film
As <em>Resolution </em>proceeds, ominous artifacts and disturbing individuals alike disrupt the process of Chris' detox.
Staging a one-on-one intervention with a drug-addicted friend carries certain risks. At the very least, the long-term survival of your friendship is in jeopardy. If the friend is a gun-obsessed meth head living in an abandoned shack in the middle of nowhere, your own survival may be in question.
But surely, whatever the other dangers of staging a forced detox, at the very least you don't usually have to worry about malevolent and potentially supernatural forces stalking you.
Originally published on Tue January 29, 2013 11:11 am
There's a fine line between a genre filmmaker with an offbeat sensibility and a maker of prefab cult movies — someone who appeals too aggressively to a cult audience that doesn't yet exist. Don Coscarelli's career has inched too far across that line.
The creator of the Phantasm series, which developed a dense and satisfying (if fan-oriented) mythology, and the prime fantasy cheese The Beastmaster, Coscarelli has lately been a cult alchemist, mixing up quirky elements aimed at winning a following that his previous films won effortlessly.