Originally published on Fri September 21, 2012 1:15 am
Cop dramas may be a dime a dozen, but David Ayer's End of Watch is one of a kind: The picture is by turns clever, compelling and unconscionable, so artful in its artifice that sometimes it almost fools you into believing that it's reality.
Street gangs, drugs and the Los Angeles Police Department have been ingredients in so many police thrillers that it's hard to imagine a filmmaker coming up with a fresh take — though that hasn't stopped writer-director David Ayer from trying. He's made four cops-'n'-cartels dramas since his Oscar-winning Training Day a decade ago; the latest, End of Watch, easily qualifies as the most resonant.
From teenagers strumming guitars in their bedrooms to big studio executives in Hollywood, there are a lot of people trying to figure out how to make money from online videos. The video-sharing site Vimeo has just added to their site a feature with a time-tested history in the real world — a virtual tip jar.
Electric-bass player Brian Compton has been a musician for 20 years. He plays with a three-piece band on a San Francisco street corner and hopes for tips from afternoon commuters. He estimates that less than 1 percent of passersby actually leave a tip.
Predictable but appealing, Trouble with the Curve is the latest of Clint Eastwood's odes to old-fashioned attitudes and virtues. That the star neither wrote nor directed the movie in no way prevents it from being another political address from a man who considers terseness one of a hero's greatest qualities.
The idea for 17 Girls, a woozy fever dream about a bunch of French provincial high-school girls who make a pact to get pregnant together, came from a similar, well-publicized 2008 event in Gloucester, Mass.