For little girls, princesses hold roughly the same value that tulips did for the Dutch back in the 1500s, and that princess mania is sure to get a boost with the new Pixar movie Brave,which stars a Scottish princess named Merida.
For a keyhole glimpse into the pink and glittery world of pre-K princess culture, consider the scene at a recent princess-themed birthday party in a suburb of Washington, D.C.
Credit Philippe Antonello / Sony Pictures Classics
Antonio the newlywed (Alessandro Tiberi, left), Uncle Paolo (Roberto Della Casa) and Anna the prostitute (Penelope Cruz) in one of To Rome With Love's four independent stories. This one features Anna attempting to teach Antonio something about love.
For four decades, Woody Allen's been churning out movies at a rate of almost exactly one film per year, a phenomenon that I'd describe as being "like clockwork" if my whole sense of time hadn't been scrambled by his latest comedy, To Rome With Love.
Originally published on Thu March 21, 2013 10:55 am
In documentaries, showing is almost always more effective than telling. But The Invisible War, an expose of sexual assault in the U.S. military, is compelling despite being all talk. Footage of the many crimes recounted in the film is, of course, nonexistent — and would be nearly unwatchable if available.
So director Kirby Dick addresses the subject directly, without gimmicks or gambits. Stylistically, The Invisible War is conventional and plainspoken, from its opening clips of vintage recruitment ads for women to its closing updates on the central characters.
The Last Ride recounts the final days of country-music legend Hank Williams, but it's strangely short on actual information about the singer. We only sparingly hear snippets of his music on the radio, and we learn almost nothing of his past. In fact, no one ever refers to the man by his proper name.
Lovely people, beautiful places, a suicide attempt and echoes of a French New Wave classic — these ingredients seem to promise lots of passion in A Burning Hot Summer. But this existential-romantic roundelay barely simmers, and certainly doesn't scorch.
Veteran director Philippe Garrel's latest film opens with apparently parallel events: a woman reclines naked, alone in a room, as a man guns his car, heading straight for a tree.