Originally published on Mon December 16, 2013 1:21 pm
We've all had that moment where you might see or hear something and you wonder: am I going crazy? In this hour, TED speakers share their experiences straddling that line between madness and sanity — and question if we're all in the gray area between the two.
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Johannes Vermeer's Girl With a Pearl Earring is easy to fall in love with — she's young, dewy, beautiful (Scarlett Johansson played her in the 2003 movie about the painting), and she looks right at you. But the 17th-century Dutch master's Woman in Blue Reading a Letter is different — her face is shadowed and she stands in profile, totally absorbed in her letter.
Our next book club adventure takes us on a journey that is familiar to people across generations: We will be taking a trip down the yellow brick road with The Wonderful Wizard of Oz, first published in 1900. It is one of the most beloved stories in popular American culture, but over the decades, the book has taken a back seat to the wildly successful Wizard of Oz film.
Great deeds start out as current events, move on to history, and eventually, with some craft and embellishment, become folklore and legend. This process is central to the structure of Bryan Singer's Jack the Giant Slayer, which merges elements of the familiar folktale of "Jack and the Beanstalk" with the less ubiquitous "Jack the Giant Killer." It sets the story as a kind of midpoint between one "true" story that has become a legend for Jack, just as the events of Jack's "true" story have supposedly passed into the realm of a simple folk story.