Even when he was in his late 20s, Tom Petty had a curmudgeonly edge to him, so it's no surprise that he's sneering about threats to the American dream in the opening moments of his new album, Hypnotic Eye. At 63, Petty is well into his transition to full-blown misanthropy, at times splitting the difference between Randy Newman and Bob Dylan.
Every summer for the last 15 years, the Latin Alternative Music Conference gathers musicians and industry folks within the corner of the Latin music industry known as Latin alternative. This summer was no different, and Felix Contreras and Jasmine Garsd from NPR's Alt.Latino podcast were there in New York to scout bands and geek out over the music business. Felix and Jasmine, welcome.
FELIX CONTRERAS: Good morning.
JASMINE GARSD: Thank you for having us.
RATH: So 15 years. Was this a quinceanera for the conference?
The diatonic phrygian tetrachord - just rolls off the tongue, doesn't it? Well, maybe you're not familiar with this expression. It's actually a sequence of four musical notes. But I can pretty much guarantee you've heard it played over and over again.
(SOUNDBITE OF COMPOSITION, "PASSAGLIA FOR SOLO VIOLIN")
If you're a classical guitarist, it may be impossible to resist the pull of one iconic piece: the Concierto de Aranjuez by Spanish composer Joaquín Rodrigo. Many musicians regard it as the holy grail of guitar repertoire, including a man so big in the classical world he is known by only one name: Milos.