Chihiro Yamanaka and Jane Bunnett come to the Kennedy Center from Japan and Canada, respectively, and each has a compelling story.
Jane Bunnett is from Toronto, yet for more than 30 years, she's championed Cuban music and musicians. She's made dozens of trips to the island, studying and working, bringing instruments to schoolchildren, and inviting players to return to Canada with her and her husband, trumpeter Larry Cramer.
New Jersey has a proud heritage in rock music, from punk legends like Misfits to the Boss himself. The sonic imprint of the Garden State is unmistakable in the music of The Gaslight Anthem, which carries on in Jersey's proud rock 'n' roll tradition.
Originally published on Fri June 13, 2014 10:16 am
Like many artists performing under the broad umbrella of "folk music" at this year's Newport Folk Festival, Gary Clark Jr. isn't settling inside any genre, let alone folk. Working off a template of bluesy rock, he infuses the gritty songs on his Bright Lights EP with elements of soul, pop and even reggae. Above all, he's a positively ferocious young guitarist, with a reputation as an up-and-comer poised for one of those 30-, 40-, even 50-year careers.
Gil Evans, born a century ago this year, was a leading jazz arranger and composer starting in the 1940s, when he wrote for big bands. He helped organize Miles Davis' Birth of the Cool sessions, then arranged Davis' celebrated orchestra albums like Sketches of Spain. Evans, who had his own big bands that went electric in the 1970s and '80s, died in 1991, but some of his rare music has been newly recorded.
Even people who wouldn't know Yo-Yo Ma from Yanni know Carnegie Hall is where the world's greats play. So how do unknown students and amateurs get to perform at one of the world's most celebrated venues?