After a sunny, warm afternoon on the Rhode Island shore, the first full day of the 2012 Newport Jazz Festival has come and gone. If you've got a free moment, you can already replay many of the sets we recorded online. But starting at 11:00 a.m. ET on Sunday, we'll be presenting eight more hours of live video from the festival at npr.org/newportjazz. Here's what's on tap:
Bill Frisell is a soft-spoken guy who does a lot of talking with his guitar — and its pedals and effects. So perhaps it's appropriate that he recently issued an album called All We Are Saying, an collection of John Lennon songs. Though he's known primarily for working with other improvisers, he's of the Baby Boomer generation, and he doesn't hide his love for Beatles songs away. With a band including steel guitar (Greg Leisz) and violin (Jenny Scheinman), Frisell doesn't reinvent the wheel — but he certainly gives it a new spin.
The composer Darcy James Argue has steadily been rescuing the big band from the dustbin of anachronism through a combination of enormously open ears and a gigantic well of patience. But it's paying off: After the release of his debut album Infernal Machines, the greatness of the Secret Society became an open secret, and his "co-conspirators" have now recorded a much-anticipated sophomore album. Eighteen of them give us a taste, including a peek at the Brooklyn Babylon project, originally designed for live music and live painting.
Like his countryman Pedrito Martinez (also appearing at Newport this year), drummer Dafnis Prieto came over from Cuba around the turn of the century — promptly placing every rhythm section in New York City on notice. His next-level understanding of the clave, combined with his seeming willingness to try anything that grooves, led to his nomination as a MacArthur Fellow last year. That cast of mind powering a sextet with horns will prove volatile, as it did on his 2008 album Taking The Soul For A Walk.