NPR Music

Deceptive Cadence
3:35 pm
Fri July 6, 2012

Around The Classical Internet: July 6, 2012

Soprano Evelyn Lear, circa 1965.
Erich Auerbach Getty Images

Originally published on Wed July 11, 2012 12:32 pm

  • American soprano Evelyn Lear — whose roles ranged from title role in Berg's Lulu to Mozart to Sondheim — died at age 86 Monday at a nursing home, though the cause was not announced. (Her late husband of more than fifty years, the bass-baritone Thomas Stewart, died six years ago.)
Read more
Music Reviews
3:08 pm
Fri July 6, 2012

Maga Bo's Sound Collages Travel Through Time

Maga Bo's latest album is Quilombo do Futuro.
Fred Pacifico

Originally published on Tue July 10, 2012 3:46 pm

In American-born producer Maga Bo's world, the berimbau — a type of bow native to Brazil — becomes an element in a time-traveling collage of organic sounds. On his new album, Quilombo do Futuro, vibrating strings, booming drumheads and vocal melodies that might go back centuries coexist with rhythmic sound effects and club-friendly beats.

Read more
World Cafe
1:24 pm
Fri July 6, 2012

Norah Jones On World Cafe

Norah Jones.
Autumn de Wilde

Originally published on Fri July 20, 2012 4:53 pm

Grammy-winning singer-songwriter Norah Jones has been a star since the 2002 release of her debut album, Come Away With Me, which sold more than 10 million copies in the U.S. and won eight Grammys. Her success hasn't let up: Subsequent releases have all reached gold or platinum status.

Jones' fifth album, Little Broken Hearts, came out in May, and was recorded with producer Danger Mouse. Here, Jones sits down with World Cafe's David Dye to discuss her creative process.

Read more
Deceptive Cadence
11:03 am
Fri July 6, 2012

Behind The Music: Charles Ives

Pablo Helguera

Originally published on Tue September 18, 2012 3:23 pm

Got an idea for a classical cartoon, or a reaction to this one? Leave your thoughts in the comments section.

Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. You can see more of his work at Artworld Salon and on his own site.

Music Reviews
10:51 am
Fri July 6, 2012

Big K.R.I.T.: Music Straight 'From The Underground'

Big K.R.I.T.
Courtesy of the artist

Originally published on Fri July 6, 2012 1:20 pm

Big K.R.I.T.'s distinction as a rapper is the way he spreads his vowels out over his beats like gravy. There's little that's harsh in his phrasing, even as his lyrics can be tart or tough. In general, though, his tone over the course of Live From the Underground is a voice of coolness, of relaxation or resignation, even occasionally serenity.

Read more

Pages