There are as many ways to interpret someone else's song as there are to write one yourself, but covers needn't play out as complex deconstructions or intellectual exercises. Covers can be simple celebrations — a way of saying, "Damn, I wish this were my song."
Originally published on Tue September 18, 2012 6:39 pm
I fell in love with Bruce Springsteen for his swagger. It was ridiculous and offered so much hope. Here was a bony dude with the worst haircut ever, who wore T-shirts covered in holes — seriously, he looked like the fry cook at the amusement park where I worked as a counter girl in the summer — making music as big as the known universe.
It's hard to pick a favorite Tiny Desk Concert from the hundreds we've done, but this could be the one. For me, music is best when it surprises, takes chances and makes me smile. Comedian and musician Reggie Watts performed three "songs" at the NPR Music offices, all of them spontaneous improvisations and all of them playful, even magical.
Watts came with a simple setup of loop pedals, delay pedals and a microphone. He laid down the beats and bass, entirely with his voice, and built up layers of sound, melody and rhythm — more like a magician than a musician.
Megan Reilly strips away the gloss of modern country music to find an emotional sound rooted in folk and classic pop. Her latest album, The Well, departs significantly from its six-year-old predecessor; supported by an acoustic backbone, her new songs drift into retro territory, with occasional psychedelic guitar riffs and pop melodies that recall love ballads from the '60s.