Barrence Whitfield & The Savages reunited in 2011 after more than a decade apart; this year, the Boston band released a new album titled Dig Thy Savage Soul. The new record gives longtime fans the opportunity to relive fond memories of a group that packed clubs with sweaty souls back in the '80s.
Robbie Fulks appears on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. As one of the pioneers of the alt-country movement, Fulks broke through with songs that are witty, sophisticated and poignant, often at the same time.
Closing his set at 92Y Tribeca, drummer Henry Cole — leader of the 11-player Afrobeat Collective from New York and Puerto Rico — told the audience, "Big groups are going to come again!" This show, which features Cole's young collective and a top big band playing the Monterey Jazz Festival, is a vote for that proposition.
617,000. That's how many copies of her self-titled album Beyonce sold in three days last week, after she dropped it without warning. As fans and critics have dug in, debates about the messages and images within it are roiling. Is Beyonce, the sexy pop goddess who has performed at two inaugurations, also this generation's highest-profile feminist? I spoke to six people who identify as feminists — all of whom feel differently about Beyonce — to find out how a pop album no one was ready for is capping off a year of think pieces and Twitter skirmishes.
Nightmares on Wax was one of the first acts to sign to the Warp Records label, and the man behind the moniker — Ibiza-based DJ and producer George Evelyn — has never stopped exploring new territories for musical inspiration. The latest album, Feelin' Good, is no exception, as Evelyn taps into a talented group of musicians who've contributed their individual styles to help create a fresh new sound.