Marcus Roberts was a very young, very gifted pianist back in 1985, when Wynton Marsalis tapped him to join his band.
Six years later, Roberts went off to lead his own combo — and to write both jazz and classical music. And he taught. And he toured. And he recorded.
In fact, Marcus Roberts just released three new albums. One of them is a 12-part jazz suite. The other two take him back to the beginning: They're his first collaborations with Wynton Marsalis in 20 years.
Three hundred sixty-five. That's the number of days the Minnesota Orchestra will have gone without playing in its concert hall in 2013. The orchestra became the unwitting poster child for labor strife in the classical music world — and, to some extent, an emblem of the problems facing non-profit arts institutions across the country.