JD McPherson provides a refreshing reminder that retro roots music isn't timid: His debut album, Signs & Signifiers, synthesizes blues and rockabilly and old-school rock 'n' roll with an unmistakable punk spirit. Throughout the record, he finds the delicate balance between a classic, traditionalist sound and the understanding that the styles he's emulating are rooted in rebellion, menace and even danger.
The Boston band Kingsley Flood has spent the last few years polishing, refining and expanding its folk-rock sound, in the process incorporating horns, more strings and ever-brighter production. The sextet sounds more confident than ever on its new album, Battles, which continues to explore some of Kingsley Flood's favorite subject matter: the balance of hopes and dreams, expectations and the everyday.
Pigeonholing the classically trained string trio Time for Three isn't easy, but that's also a blessing. The musicians — violinists Zachary De Pue and Nick Kendall with double bassist Ranaan Meyer — say they love a kaleidoscopic spectrum of music. "If we like it, we play it" is their motto.
Over the course of nearly five decades, Van Dyke Parks has released an album under his own name roughly every five years. His latest, <em>Songs Cycled</em><em>, </em>is a nod to his similarly titled solo debu<em></em>t<em></em>.
In January, English musician and record producer Colin Bass found himself in the midst of an extraordinary assignment. Bass had traveled, with microphones and recording equipment in tow, to the Sahara desert to meet up with a musical group called Etran Finatawa.