Session musician Stephen Bruner has played bass in other people's bands for more than a decade. He can play metal, R&B, hip-hop, jazz. And he's been folding all that into his own music, which he puts out under the name Thundercat.
Now, with his second album, he's stepping to the front of the stage.
Bombadil was founded by a group of friends who met while attending college in Durham, N.C. They graduated in 2006, released a self-titled EP that was well-received, and soon seemed on their way to finding an audience. But by 2009, bassist Daniel Michalak was struggling with an unexplained pain in his hands.
"I started noticing it during shows," he says. "And it got to the point where I couldn't hold a spoon to feed myself, or brush my teeth, or hold the phone to my ear."
Michalak's daily routines became increasingly difficult — and draining.
<em>The Long Walk</em>, Brian Castner's memoir of PTSD and a difficult homecoming, will soon be an opera.
<em></em>Iraq veteran Brian Castner (center) poses with librettist Stephanie Fleischmann and composer Jeremy Howard Beck, who are adapting Castner's PTSD memoir, <em>The Long Walk,</em> into an opera at New York's American Lyric Theater.
Credit Steven Meyer / Courtesy of the American Lyric Theater
In the years since she first surfaced as a suitably rustic duet partner for Will Oldham — the two Kentuckians released an EP together back in 2010 — Cheyenne Mize has broadened and deepened her sound, injecting it with slinkiness and sparkle. Her new album Among the Grey continues that evolution, bringing out the lushness in songs that can shimmer prettily or punch with the force of a PJ Harvey.