NPR Music

JazzSet with Dee Dee Bridgewater
3:13 pm
Thu August 15, 2013

Sean Jones, Jeff 'Tain' Watts On JazzSet

Sean Jones performs at the Detroit Jazz Festival.
Jeff Forman

Originally published on Tue April 15, 2014 2:30 pm

Ohio-born trumpeter Sean Jones played lead for approximately five years with the Jazz at Lincoln Center Orchestra. Artistic Director Wynton Marsalis was a member of Sean's section. When was asked what he learned from Marsalis, Jones answered in two words: "work ethic."

Now 35-year-old Sean Jones is touring with the Marcus Miller group, an Associate Professor at Duquesne University and Oberlin Conservatory, Interim Artistic Director for the Cleveland Jazz Orchestra, and leading his group in Detroit with music from his album No Need for Words.

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All Songs Considered
1:06 pm
Thu August 15, 2013

The Good Listener: How Do You Program A Dance Party For Kids?

The Record
12:49 pm
Thu August 15, 2013

Fall Pop Preview: A 'Roar' Of 'Applause' For New Music

ARTPOP, and Katy Perry released "Roar," from Prism." href="/post/fall-pop-preview-roar-applause-new-music" class="noexit lightbox">
This week, Lady Gaga (left) released the song "Applause," from her forthcoming album ARTPOP, and Katy Perry released "Roar," from Prism.
Courtesy of the artists

Originally published on Sun August 18, 2013 3:07 pm

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Music Reviews
12:31 pm
Thu August 15, 2013

A Forgotten Quartet, Reissued And Reevaluated

A new collection of Brahms and Mozart recordings by the Stuyvesant Quartet from 1947 conveys a kind of inward grace.
Jay Shulman Courtesy of the artist

Originally published on Thu August 15, 2013 12:50 pm

A movie last year called A Late Quartet told the traumatic story of what happens when a famous string quartet has to change personnel. But, in fact, most string quartets — like symphony orchestras, only more conspicuously — continually change players, because players retire, or die, or get more lucrative offers.

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All Songs Considered
12:03 pm
Thu August 15, 2013

Viking's Choice: Violins Swarm In SubRosa's Heavy 'Dead Empire'

SubRosa.
Brandon Garcia Courtesy of the artist

Doom is as doom does. No matter how many sub-sub genre tags you put on it — blackened, atmospheric, sludge, bedazzled (okay, I made that up, but what if) — all descend from Black Sabbath. But you knew that. Doom thrives on repetition, in both its riffs and its tributes. The Salt Lake City doom-metal band SubRosa isn't out to reinvent the stone wheel, but it does offer a unique perspective by looking back to America's melancholic folk roots for something darker and more soulful.

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