Originally published on Tue April 15, 2014 2:30 pm
Ohio-born trumpeter Sean Jones played lead for approximately five years with the Jazz at Lincoln Center Orchestra. Artistic Director Wynton Marsalis was a member of Sean's section. When was asked what he learned from Marsalis, Jones answered in two words: "work ethic."
Now 35-year-old Sean Jones is touring with the Marcus Miller group, an Associate Professor at Duquesne University and Oberlin Conservatory, Interim Artistic Director for the Cleveland Jazz Orchestra, and leading his group in Detroit with music fromhis album No Need for Words.
A movie last year called A Late Quartettold the traumatic story of what happens when a famous string quartet has to change personnel. But, in fact, most string quartets — like symphony orchestras, only more conspicuously — continually change players, because players retire, or die, or get more lucrative offers.
Doom is as doom does. No matter how many sub-sub genre tags you put on it — blackened, atmospheric, sludge, bedazzled (okay, I made that up, but what if) — all descend from Black Sabbath. But you knew that. Doom thrives on repetition, in both its riffs and its tributes. The Salt Lake City doom-metal band SubRosa isn't out to reinvent the stone wheel, but it does offer a unique perspective by looking back to America's melancholic folk roots for something darker and more soulful.