Every summer for the last 15 years, the Latin Alternative Music Conference gathers musicians and industry folks within the corner of the Latin music industry known as Latin alternative. This summer was no different, and Felix Contreras and Jasmine Garsd from NPR's Alt.Latino podcast were there in New York to scout bands and geek out over the music business. Felix and Jasmine, welcome.
FELIX CONTRERAS: Good morning.
JASMINE GARSD: Thank you for having us.
RATH: So 15 years. Was this a quinceanera for the conference?
The diatonic phrygian tetrachord - just rolls off the tongue, doesn't it? Well, maybe you're not familiar with this expression. It's actually a sequence of four musical notes. But I can pretty much guarantee you've heard it played over and over again.
(SOUNDBITE OF COMPOSITION, "PASSAGLIA FOR SOLO VIOLIN")
If you're a classical guitarist, it may be impossible to resist the pull of one iconic piece: the Concierto de Aranjuez by Spanish composer Joaquín Rodrigo. Many musicians regard it as the holy grail of guitar repertoire, including a man so big in the classical world he is known by only one name: Milos.
Once upon a time, Jenny Lewis was one of those child actors you might have seen on shows like Growing Pains and Mr. Belvedere. But then she started making music, and in the late '90s that started taking off. Once her band Rilo Kiley started scoring hits, it was hard to go back to sitcoms.
Marisa Ronstadt bears a musical name but she has her own style, which seems to be a mix of Mariachi, Classic Rock, Soul, R&B, Indie Pop - maybe she'll fill in any that we've missed. She's played music since she was seven and has her own band now "Marisa Ronstadt And The Know-It-All's." Their debut album is "Blueberry Moon." It's out now - let's hear a little.