Originally published on Wed October 30, 2013 3:18 pm
What does the concert-ticket buyer want? If we're accepting that the market for albums — physical and digital — won't ever rebound, that digital singles will never make up for the loss in revenue and that streaming can't be profitable under current licensing laws, professional musicians (and the labels that love them) need to figure this out. Rap music, with its younger audience, has been more flexible in this regard than other genres: Rap acts now run the multi-genre summer festival gamut after infiltrating smaller cities' club circuits long ago.
If you stop by the Cuban restaurant Guantanamera in midtown Manhattan on a weeknight you're apt to hear one of the great Cuban bands of our time. The Pedrito Martinez Group is a four-piece powerhouse. Since they formed in 2007, they've earned a fanatical following in Latin music circles.
The group's self-titled debut CD is just out and Banning Eyre has this review.
Jill Sobule and Julia Sweeney make their first appearance together on Mountain Stage, recorded live on the campus of the North House Folk School in Grand Marais, Minn. As the duo explains in its introductory song, singer-songwriter Sobule and comedian Sweeney came to know each other after a chance meeting by a jellyfish tank at a conference in Monterey, Calif.
English multi-instrumentalist and producer Ethan Johns has worked with provocative and prolific artists ranging from fellow U.K. musician Laura Marling to Ryan Adams and Ray LaMontagne. With the release of his debut album — If Not Now Then When? — Johns finally let loose the songs he'd been writing throughout his career.