NPR Music

Deceptive Cadence
1:28 pm
Wed October 9, 2013

What Is Classical Music's Women Problem?

Australian conductor Simone Young, the outgoing artistic director of the Hamburg State Opera.
Klaus Lefebvre Courtesy of the artist

Originally published on Thu October 10, 2013 9:36 am

Close your eyes, and you may think that this is 1913. In the past few days, the classical music community has been set aflame by recent comments from three prominent male conductors who are — steel yourself — actually saying that women are not capable of standing on the podium.

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Music Reviews
1:26 pm
Wed October 9, 2013

Ahmad Jamal Weaves Old And New On 'Saturday Morning'

Ahmad Jamal.
Courtesy of the artist

Jazz pianist Ahmad Jamal started playing when he was 3 years old in Pittsburgh, which means he's now been playing for 80 years. His new album, Saturday Morning, often recalls his elegant trios of yesteryear, with its tightly synchronized arrangements, plenty of open space and deceptively simple charm.

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Thistle and Shamrock
12:09 pm
Wed October 9, 2013

The Thistle And Shamrock: Gaelic Voices

Left to right: Martin Green, Kris Drever and Aidan O'Rourke of Lau.
David Angel Courtesy of the artist

Explore the branches of contemporary song sprouting from the roots of ancient vocal traditions.

Copyright 2013 NPR. To see more, visit http://www.npr.org/.

All Songs Considered
11:16 am
Wed October 9, 2013

So Pusha T, Omar Souleyman And Cults Walk Into A Bar...

Meet our lineup for the next NPR Music Presents webcast: Pusha T, Omar Souleyman and Cults.
Courtesy of the artists

Originally published on Thu October 10, 2013 5:01 pm

NPR Music is throwing a party in New York next Wednesday, Oct. 16, with some phenomenal live music and we want you to come.

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Live in Concert
11:13 am
Wed October 9, 2013

Pusha T, Live In Concert

Pusha T performs live at NPR Music's showcase at Le Poisson Rouge in New York City on Wednesday, Oct. 16.
Loren Wohl for NPR

Originally published on Wed July 9, 2014 9:51 am

Pusha T's set was the culmination of a gradual separation from his brother, No Malice, with whom he performed as Clipse until three years ago. The Virginia native made his name as a writer of sharply observed scenes of the drug trade and a connoisseur of unsettling, emotionally raw production.

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