When Scotty Moore, Elvis Presley's former guitar player, tells you check out the music of Marshall Chapman, maybe you should give it a listen.
Moore is just one of many to sing Chapman's praises, but it's especially fitting that a member of the King's entourage should endorse her. Chapman says it was a 1956 Elvis concert that convinced her, at 7 years old, to make music.
"They mark time like A.D. and B.C., right?" she says. "For me, it's sort of B.E. and A.E. It was a life-changing event."
If you think all the twitchy rhythms and random shards of melody flashing through Stravinsky's The Rite of Spring sound complicated, consider the poor musicians who have to learn it. And then there's the conductor, who needs to perfectly place every piccolo tweet and bass drum boom.
One hundred years ago this week, a ballet premiered that changed the art world. Igor Stravinsky's Le Sacre du Printemps — The Rite of Spring — was first seen by the public on May 29, 1913, in Paris. As the orchestra played TheRite's swirling introduction, the audience at the Théâtre des Champs-Elysées began to murmur. Then the curtain opened.
Clairy Browne & the Bangin' Rackettes are an Australian band whose sound is a little bit of soul fused with blues, doo-wop, jazz and R&B. That musical diet, rich in harmony, is the same one lead singer Clairy Browne grew up on.
"My dad had a band in South Africa in the '60s called Browne, and so he really brought that into our home," she says. "We were always around the kitchen table with a guitar and four-part harmonies, playing on late into the night.