Originally published on Wed March 6, 2013 11:20 am
The pianist Orrin Evans splits much of his time between Philadelphia, where he grew up, and New York, a much larger jazz scene where he gigs often. A hard-charging player, seasoned with the harmonic touch of fellow Philadelphian McCoy Tyner, Evans is in high demand in a lot of places. Last year saw him release his 19th album as a bandleader or co-leader, Flip the Script. It's a trio recording, a format which both intimidates and excites him; here, he takes up the three-man challenge anew.
Originally published on Fri February 15, 2013 4:21 pm
As televised prize-givers, the National Academy of Recording Arts and Sciences are slouches. The dozen prizes given out in a typical Grammy Awards telecast is the lowest of any major awards-show telecast, from the Oscars to the Emmys. NARAS gives out the bulk of its little gramophones in an untelevised ceremony.
But as sales-juicers? The Grammys are unparalleled.
Bat for Lashes, a.k.a. British singer and multi-instrumentalist Natasha Khan, has recorded three albums, and the first two received nominations for the Mercury Prize. Her most recent record, The Haunted Man, came out in October and has already been a considerable success, both commercially and with critics.
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Fri February 15, 2013 3:43 pm
In its quest to become the world's most brutal, ugly and offensive death-metal act, a young band should ask itself three questions: "How fast can the drummer blast-beat?" "How many unspeakable acts can we cram into three minutes, lyrically speaking?" "Are the riffs-per-second an accurate measure of how brutal we truly are?" I'm only sort of kidding. These exercises in ridiculousness are par for the course, though their excess is not unrewarded. Enter Wormed.