After huge critical and commercial success last year, breakthrough British sensation Emeli Sande has her sights set on America.
It's a long way from her roots. Born to a Zambian father and English mother, the singer-songwriter was raised in Scotland. She tells NPR's Michel Martin that being the only mixed-race family in a small village had a big impact on her.
Originally published on Wed March 6, 2013 11:20 am
The pianist Orrin Evans splits much of his time between Philadelphia, where he grew up, and New York, a much larger jazz scene where he gigs often. A hard-charging player, seasoned with the harmonic touch of fellow Philadelphian McCoy Tyner, Evans is in high demand in a lot of places. Last year saw him release his 19th album as a bandleader or co-leader, Flip the Script. It's a trio recording, a format which both intimidates and excites him; here, he takes up the three-man challenge anew.
Originally published on Fri February 15, 2013 4:21 pm
As televised prize-givers, the National Academy of Recording Arts and Sciences are slouches. The dozen prizes given out in a typical Grammy Awards telecast is the lowest of any major awards-show telecast, from the Oscars to the Emmys. NARAS gives out the bulk of its little gramophones in an untelevised ceremony.
But as sales-juicers? The Grammys are unparalleled.
Bat for Lashes, a.k.a. British singer and multi-instrumentalist Natasha Khan, has recorded three albums, and the first two received nominations for the Mercury Prize. Her most recent record, The Haunted Man, came out in October and has already been a considerable success, both commercially and with critics.