On Philadelphia pianist Orrin Evans' trio version of Ornette Coleman's "Blues Connotation," drummer Donald Edwards and bassist Eric Revis set a New Orleans second-line groove tinged with vintage hip-hop. A beat like that is catnip to Evans, who gets right down and rolls in it.
When Daniel Hope was a boy, the only thing he loved as much as his violin was his telescope. Gazing into the night sky, he pondered the vastness of space. Now a grown man, Hope still has a penchant for wonder and discovery — especially when it comes to music.
Marian McPartland, who gave the world an intimate, insider's perspective on one of the most elusive topics in music — jazz improvisation — died of natural causes Tuesday night at her home in Long Island, N.Y. She was 95.
Originally published on Fri September 27, 2013 4:20 pm
When Venezuelan producer Andres Ponce met Honduran singer Sofy Encanto in Miami, musical sparks flew. What began as a recording project became a full-fledged band that draws from a range of influences, including tropical, funk, electronic and hip-hop.
Real, the group's first album, has it all, with songs in both English and Spanish. After playing around Miami for a couple of years, Elastic Bond signed with the influential Nacional label, which put out the band's debut earlier this summer.
Amanda Shires makes her second appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. A gifted fiddler and singer-songwriter, Shires got her start in Texas, where as a teenager she performed with the Texas Playboys, the backing band for the legendary Bob Wills. Shires eventually relocated to Nashville, where she found herself backing Americana heavyweights Todd Snider, Justin Townes Earle and, perhaps most notably, Jason Isbell.