There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.
Originally published on Thu September 26, 2013 1:29 pm
If you were an indie-rock fan in the mid-1980s, then you undoubtedly stumbled upon Miracle Legion. In the post R.E.M. jangle-rock landscape, they called it "college rock" and the Connecticut-based Miracle Legion ruled. It happened again with his work on Nickelodeon's Adventures of Pete & Pete with the fake-band Polaris made up of Miracle Legion musicians.
In the late 1960s, it wasn't just that Bob Dylan's music was eagerly anticipated — it was music that millions of people pored over: for pleasure, for confirmation of their own ideas, and for clues as to the state of mind of its creator. In this context, the double-album Self-Portrait arrived in 1970 with a resounding, moist flop. I don't mean it was a commercial flop; it sold well.