Originally published on Sat March 16, 2013 7:36 pm
Based in Los Angeles and fronted by the smoky-voiced Marisol Hernandez, the fast-rising band La Santa Cecilia splices and dices an array of Mexican and South American sounds in its songs, from Mexican norteño and ranchera to Colombian cumbia. Here, its members perform smart originals and covers of U2's "One" and Soft Cell's "Tainted Love" — all with a wry, old-soul knowingness. La Santa Cecilia has already received a Latin Grammy nomination in 2011, but with this GlobalFEST appearance, it's poised to break out to a broader audience.
The night ended with bumping beats down at Webster Hall's Studio space with the Ottawa-based Native collective A Tribe Called Red. The group calls its style "pow wow step" — an imaginative and dance-floor-ready blend of beats, aboriginal singing and dancing, and visuals and audio samples that turn "Indian" stereotypes on their heads. But the most memorable moments in the set come when A Tribe Called Red invites a dancer out to perform a traditional hoop dance, twisting and turning hoops into elegant and beautiful figures.
Kayhan Kalhaor & Erdal Erzincan Live From Webster Hall
The soulful Persian classical virtuoso and composer Kayhan Kalhor has long been interested in creating artistic bridges to other musicians and styles, including in his work with Yo-Yo Ma's Silk Road Project and a long-term collaboration with the Indian sitarist Shujaat Khan.
Sweet and hot: That's the sound that French-born, Brooklyn-based guitarist Stephane Wrembel brought to his intimate early set in The Studio, globalFEST's smallest space. Wrembel specializes in jazzmanouche, or so-called "Gypsy" jazz — and his set with his quartet showed off the sparkling, speedy fingerwork already familiar to fans of Woody Allen, who has used Wrembel's music in his films Vicky Cristina Barcelona and Midnight in Paris.