I'm Michel Martin and this is TELL ME MORE from NPR News. Now I would like to tell you about a special performer, someone many people have called one of a kind. She is a native Washingtonian. She fuses pop, R&B and hip-hop and she does all that while accompanying herself on an instrument you don't see very often in contemporary music - her harp.
(SOUNDBITE OF SONG, "THERE'S NO ONE ELSE LIKE YOU")
Miguel turned up in the NPR Music offices early one morning, after playing a show late the night before. He appeared light and calm, and betrayed no hint that he was nervous about stripping his highly produced hits down to their bones. Accompanied by just his guitarist, Dru DeCaro, Miguel eschewed flash and went big on small gestures — ingratiating ad libs, only one full spin and voice control that kept the songs close to his chest but emotive enough to translate to the back of the room.
Originally published on Fri January 4, 2013 5:26 pm
We asked musicians, music industry folks, writers, programmers and DJs — fans all — to tell us how they saw 2012 in music. We sent them five questions asking what began and what fell apart, what made them happy and what disappointed them. They told us about bands that broke up, albums they fell in love with, trends that waxed and waned, tools and ideas that came and went. They rue the movement of some sounds into the mainstream and celebrate the partnering of others. They took our questions seriously, and they've got jokes.