Recently on A Blog Supreme, pianist and blogger Kurt Ellenberger expressed doubt that audiences for jazz can continue to grow, writing that audience development is "a tall order that seems insurmountable." Although this alarm bell has been sounded by jazz writers for at least seven decades, musicians stubbornly seem to keep on playing, and new fans keep on discovering the music.
Consider this name: Kishi Bashi. It has a pleasant, repetitive character with a nice — if unusual — little loop. It's an apt stage name for a musician who's creating something haunting, beautiful and maybe a little off-kilter through the technology of looping.